Photo editing

Chloe Carrington

It has been far too long since my last shoot! I will post a blog about that change of hat soon and what I have been up to while I have been so quite on here… but for now I would like to share with you the beautiful and up-and-coming Chloe Carrington who is branching out into the wonderful world of modelling. She was a natural behind the camera.

Hair, make-up and fashion all styled by Chloe Carrington

Canon 5DM4  Canon EF 24-70mm f/2.8L II USM Lens f3.5, 1/125, ISO 100 Studio  X2 LED barn door lights  Photoshop & Lightroom Savage backdrop: Ultramarine

Canon 5DM4
Canon EF 24-70mm f/2.8L II USM Lens
f3.5, 1/125, ISO 100
Studio
X2 LED barn door lights
Photoshop & Lightroom
Savage backdrop: Ultramarine

Canon 5DM4  Canon EF 24-70mm f/2.8L II USM Lens f3.5, 1/160, ISO 100 Studio  X2 LED barn door lights  Photoshop & Lightroom Savage backdrop: Bone  In this image I adjusted colour profiles in Lightroom then I used Photoshop to give a cut out look using the refine edge tool and adding a colour fill to give a solid backdrop.

Canon 5DM4
Canon EF 24-70mm f/2.8L II USM Lens
f3.5, 1/160, ISO 100
Studio
X2 LED barn door lights
Photoshop & Lightroom
Savage backdrop: Bone

In this image I adjusted colour profiles in Lightroom then I used Photoshop to give a cut out look using the refine edge tool and adding a colour fill to give a solid backdrop.

Canon 5DM4  Canon EF 24-70mm f/2.8L II USM Lens f2.8, 1/160, ISO 100 Studio  X2 LED barn door lights  Photoshop & Lightroom Savage backdrop: Bone  In this photo I used creative filters in camera, not post! I held a piece of fabric in-front of the lens to shoot through and create gorgeous haze.

Canon 5DM4
Canon EF 24-70mm f/2.8L II USM Lens
f2.8, 1/160, ISO 100
Studio
X2 LED barn door lights
Photoshop & Lightroom
Savage backdrop: Bone

In this photo I used creative filters in camera, not post! I held a piece of fabric in-front of the lens to shoot through and create gorgeous haze.

Canon 5DM4  Canon EF 24-70mm f/2.8L II USM Lens f2.8, 1/125, ISO 100 Studio  X2 LED barn door lights  Photoshop & Lightroom Savage backdrop: Evergreen

Canon 5DM4
Canon EF 24-70mm f/2.8L II USM Lens
f2.8, 1/125, ISO 100
Studio
X2 LED barn door lights
Photoshop & Lightroom
Savage backdrop: Evergreen

Canon 5DM4  Canon EF 24-70mm f/2.8L II USM Lens f6.3, 1/500, ISO 100  After the studio we moved outdoors into the heat of the Nelson January 2019 heatwave! I played with shadow and interesting shapes within the composition. The image is processed in Photoshop with some noise added and a solid colour fill with fill opacity lowered to create a film aesthetic which I like at the moment.

Canon 5DM4
Canon EF 24-70mm f/2.8L II USM Lens
f6.3, 1/500, ISO 100

After the studio we moved outdoors into the heat of the Nelson January 2019 heatwave!
I played with shadow and interesting shapes within the composition. The image is processed in Photoshop with some noise added and a solid colour fill with fill opacity lowered to create a film aesthetic which I like at the moment.

Canon 5DM4  Canon EF 24-70mm f/2.8L II USM Lens f3.2, 1/1000, ISO 100  I just love Chloe, innocent yet moody look!  This image has been processed in Photoshop again to create a film aesthetic, it has noise added and two solid adjustment colour fills, one yellow and one cyan.

Canon 5DM4
Canon EF 24-70mm f/2.8L II USM Lens
f3.2, 1/1000, ISO 100

I just love Chloe, innocent yet moody look!

This image has been processed in Photoshop again to create a film aesthetic, it has noise added and two solid adjustment colour fills, one yellow and one cyan.

Canon 5DM4  Canon EF 24-70mm f/2.8L II USM Lens f3.2, 1/2000, ISO 100  Power pose!   Photoshop - noise added and a very light cream solid colour fill with blend mode set to soft light.

Canon 5DM4
Canon EF 24-70mm f/2.8L II USM Lens
f3.2, 1/2000, ISO 100

Power pose!

Photoshop - noise added and a very light cream solid colour fill with blend mode set to soft light.

Canon 5DM4  Canon EF 24-70mm f/2.8L II USM Lens f2.8, 1/800, ISO 100  Keeping it darker for this image the processing only involves some noise and a smart sharpen.

Canon 5DM4
Canon EF 24-70mm f/2.8L II USM Lens
f2.8, 1/800, ISO 100

Keeping it darker for this image the processing only involves some noise and a smart sharpen.

Canon 5DM4  Canon EF 24-70mm f/2.8L II USM Lens f3.2, 1/400, ISO 100  Processed in Lightroom - camera calibration changed to Camera Portrait and finished in Photoshop with some noise added.   I always export rather than save as as it retains the colour profiles applied in processing this is important when clients are viewing on different screens and for printing.

Canon 5DM4
Canon EF 24-70mm f/2.8L II USM Lens
f3.2, 1/400, ISO 100

Processed in Lightroom - camera calibration changed to Camera Portrait and finished in Photoshop with some noise added.

I always export rather than save as as it retains the colour profiles applied in processing this is important when clients are viewing on different screens and for printing.

Canon 5DM4  Canon EF 24-70mm f/2.8L II USM Lens f3.2, 1/640, ISO 100  Last but by no means least… this gorgeous portrait shot where I played shooting through leaves and incorporated the harsh suns interesting shadows.   Noise and a solid white colour fill added in Photoshop.

Canon 5DM4
Canon EF 24-70mm f/2.8L II USM Lens
f3.2, 1/640, ISO 100

Last but by no means least… this gorgeous portrait shot where I played shooting through leaves and incorporated the harsh suns interesting shadows.

Noise and a solid white colour fill added in Photoshop.